X: 1
T: Newcastle  (F)
P: 3x
M: 4/4
L: 1/8
O: Playford 1651
B: Playford 1651
H: Simpson feels that the surviving tune is not the one which had some
H: currency in Elizabethan days. He points out that wrenchings of accent
H: are necessary to accomplish the fit of Playford's dance tune to a
H: curious fragment of text found in the 18th century Percy folio MS, a
H: source of dubious authenticity itself.
H: __ Came you not from Newcastle? __
H: __ Came yee not there away? &c __
H: It is quite possible that
H: this dance was inspired by William, Duke of Newcastle, a royalist who
H: remained in London and bent his interests towards the theatre during
H: the interregnum.
K: F
|: C2 \
| "F"A2c2 "C7"F2G2 | "F"F3G F2C2 | "F"A2c2 F2c2 | "Bb"d2f4 ed \
| "F"c2A2 G2F2 | "Bb"D2 d4 cB | "F"c2A2 "C7"G2>F2 | "F"F6 :|
|: de \
| "F"fedc f3A | "Bb"G2f4 G2 | "F"F3G A2E2 | "Bb"D2 d4 e2 \
| "F"fedc f3A | "Gm"G2G2 B3c | d2A2 "C7"G3F | "F"F6 |]


%%sep 5 1 500

X: 2
T: Newcastle  (G)
P: 3x
M: 4/4
L: 1/8
O: Playford 1651
B: Playford 1651
H: Simpson feels that the surviving tune is not the one which had some
H: currency in Elizabethan days. He points out that wrenchings of accent
H: are necessary to accomplish the fit of Playford's dance tune to a
H: curious fragment of text found in the 18th century Percy folio MS, a
H: source of dubious authenticity itself.
H: __ Came you not from Newcastle? __
H: __ Came yee not there away? &c __
H: It is quite possible that
H: this dance was inspired by William, Duke of Newcastle, a royalist who
H: remained in London and bent his interests towards the theatre during
H: the interregnum.
K: G
|: D2 \
| "G"B2d2 "D7"G2A2 | "G"G3A G2D2 | "G"B2d2 G2d2 | "C"e2g4 fe \
| "G"d2B2 A2G2 | "C"E2 e4 dc | "G"d2B2 "D7"A2>G2 | "G"G6 :|
|: ef \
| "G"gfed g3B | "C"A2g4 A2 | "G"G3A B2F2 | "C"E2 e4 f2 \
| "G"gfed g3B | "Am"A2A2 c3d | e2B2 "D7"A3G | "G"G6 |]


%%sep 5 1 500

X: 3
T: Newcastle  [A]
P: 3x
M: 4/4
L: 1/8
O: Playford 1651
B: Playford 1651
H: Simpson feels that the surviving tune is not the one which had some
H: currency in Elizabethan days. He points out that wrenchings of accent
H: are necessary to accomplish the fit of Playford's dance tune to a
H: curious fragment of text found in the 18th century Percy folio MS, a
H: source of dubious authenticity itself.
H: __ Came you not from Newcastle? __
H: __ Came yee not there away? &c __
H: It is quite possible that
H: this dance was inspired by William, Duke of Newcastle, a royalist who
H: remained in London and bent his interests towards the theatre during
H: the interregnum.
K: A
|: E2 \
| "A"c2e2 "E7"A2B2 | "A"A3B A2E2 | "A"c2e2 A2e2 | "D"f2a4 gf \
| "A"e2c2 B2A2 | "D"F2 f4 ed | "A"e2c2 "E7"B2>A2 | "A"A6 :|
|: fg \
| "A"agfe a3c | "D"B2a4 B2 | "A"A3B c2G2 | "D"F2 f4 g2 \
| "A"agfe a3c | "Bm"B2B2 d3e | f2c2 "E7"B3A | "A"A6 |]