X: 1
T: The World Turned Upside Down
T: When the King Receives His Own Again
O: England 1632
C:
M:C|
L:1/8
%Q:1/2=110
F:http://everythingdulcimer.com/tab/turned.abc	 2005-01-28 18:45:20 UT
K:D
 cB \
| "D"A2 A2 d2 d2 | "A7"efga "D"f2 ef | "G"g2 B2 c2 f2 | "A7"e3 c A4 \
| "D"A2 A2 d2 d2 | "A7"efga "Bm"f2 ef | "Em"g2 B2 "A7"c2 f2 | "A7"e3 d "D"d2 :|
|: "D"d2 \
| "A"e2 cd e2 A2 | "A"edef e2 A2 | "A"edef e2 dc | "E7"B3 A "A"A4 \
| "D"a2 ag f2 ed | "Em"efga "Bm"f2 ef | "Em"g2 B2 "A7"c2 f2 | "A7"e3 d "D"d2 :|


%%sep 0 1 8cm

X: 2
T: The Girl I Left Behind Me
T: Brighton Camp
O: 1758
R: march
Z: John Chambers <jc:trillian.mit.edu>
B: E.Hunt p.13(F)
B: Karpeles & Schofield P.31(F), p.55(G)
B: Nan Fleming-Williams and Pat Shaw "English Dance Airs" Book 3 p.5 (1968, 1984)
N: Many versions exist from all over the British Isles. Commonly used for sword dances.
M: C
L: 1/4
K: G
g/f/ \
| "G"ed/c/ BA | "C"BG E>F | "G"GG G/A/B/c/ | "D7"d2 Bg/f/ \
|  "G"ed/c/ BA | "C"BG E>G | "D7"FA DE/F/ | "G"G2 G :|
|: d/c/ \
| "G"Bd "D7"ef | "G"gd "D7"B>A | "G"Bd "Em"ef | "C"g2 "D7"fg/f/ \
|  "G"ed/c/ BA | "C"BG E>G | "D7"FA DE/F/ | "G"G2 G :|


%%sep 0 1 8cm

X: 3
T: The Indian Queen  [D]
O: 1701
Z: 1997 by John Chambers <jc@trillian.mit.edu>
N: Barnes p. 57 (dated 1701); Hunt p.12 #39 (in C)
M: 2/4
L: 1/16
K: D
|: fg \
| "D"a2f2 d2f2 | "A7"e4 A4 | "D"F2A2 A2f2 | "A7"e4- e2fg \
| "D"a2f2 d2f2 | "A7"e4 A4 | "D"F2A2 "A7"A2f2 | "D"d6 :|
|: cd \
| "A"edcB A2e2 | "F#m "f2c2 "Bm"d2B2 | "(D)"fga2 "E7"b2^g2 | "A"a4- a2ef \
| "G"gfed "A"c2a2 | "G"B2g2 "D"A2fg | "Em"e2d2 "A7"e2c2 | "D"d6 :|


%%sep 0 1 8cm

X: 4
T: Hampshire March
O: England 1770?
%Q: 140
S: Benjamin Cooke MS.circa 1770, F.Kidson Coll.
R: March
O: England
A: x
Z: vmp.John Bagnall
M: 2/4
L: 1/8
K: G
|: "G"gg "D7"ff | "G"gg d2 | "C"cd/c/ "G"Bc/B/ | "D7"A2 "G"G2 \
|  "G"gg "D"fg | "A7"aa g2 | "D"fe/d/ "A7"ed/^c/| "D"d4 :|
|: "G"gg dd | "C"e/d/c/B/ c2 | "A7"aa gg | "D"f>e d2 \
|  "G"gg "D7"ff | "G"gg "D7"dc | "G"BA/G/ "D7"AD | "G"G4 :|]


%%sep 0 1 8cm

X: 5
T: Yankee Doodle
O: 1750
Z: 2006 John Chambers <jc@trillian.mit.edu>
N: Originated in England as a song mocking Americans,  who  adopted  it  as  a
N: military  march  to  taunt  the  British  soldiers  during  the Revolution.
N: Supposedly also in some old collections in jig time, as Kitty Fisher's Jig.
M: C|
L: 1/4
K: D
[| "D"dd  ef |    df "A7"eA |  "D"dd     ef |    d2 "A7"c2 \
|  "D"dd  ef | "G"gf     ed | "A7"cA     Bc | "D"d2     d2 ||
|| "G"B>c BA |    Bc     d2 |  "D"A>B    AG |    F2     A2 \
|  "G"B>c BA |    Bc     dB |  "D"Ad "A7"ce | "D"d2     d2 |]


%%sep 0 1 8cm

X: 6
T: The White Cockade
O: 1745
B: RSCDS 5-11
B: The Caledonian Companion, Alastair J. Hardie, 1981, p.29.
B: Skye, p.170.
R: march
N: Military citations include this tune as one of two tunes (along with "St.
N: Patrick's  Day  in  the  Morning") played by pipers attached to the Irish
N: Brigade in the service of France which helped to turn the tide of  battle
N: against the English troops in the battle of Fontenoy on May 11, 1745. Are
N: there any earlier citations?
Z: John Chambers <jc:trillian.mit.edu>
M: 2/4
L: 1/16
K: G
   GA | "G"B2B2 B2AG | B2B2 B2ge | d2B2 "Em"cBAG | "Am"B2A2 "D7"A2GA \
      | "G"B2Bd cBAG | B2d2 "Em"g3a | "C"bagf "D7"agfe | "G"d2B2 B2 :|
|: Bc | "G"d2B2 g2Bc | d2d2 "D7"d3e | "G"d2B2 "Em"g2fg | "Am"a2A2 "D7"A2GA \
      | "G"B2Bd cBAG | B2d2 "Em"g3a | "C"bagf "D7"agfe | "G"d2B2 B2 :|