X: 1
T: Chestnut [Dm]
T: Doves Figary
O: Playford 1651
B: Barnes "English Country Dance Tunes" p.19
B: Playford v.2 1651
M: C|
L: 1/8
%Q: 180
H: The tune is reminiscent today of the first phrase of "God rest ye
H: merry, gentlemen", and is a folk tune of widest distribution, the "tune
H: of luck-visit songs, wassails, harvest suppers, may carols and their
H: parodies, 'chestnut' having feminine symbolism.  The second title may
H: be expalined by Deloney's ballad of 1600 on Dove's roguery with the
H: women.  Although it is an awkward fit, repeating the last words of some
H: lines might make it work.
K: Dm
|: "Dm"D2A2G2F2 | "A7"E3D ^C2A,2 | "Dm"D2E2   F2F2 | "Gm"G2FG "A7"A4 :|
|: "F"A2AB c2BA | "C7"G2GA B2AG | "F"A2A2 "Dm"A2GF | "C7"G3B "F"F4 |
|  "F"A2BA "Bb"BAGF | "Gm"G2AG "A7"AGFE | "Dm"F2D2 "Gm"D2G2  | "A7"E3F "Dm"D4 :|


%%sep 5 1 500

X: 2
T: Chestnut (Em)
T: Doves Figary
O: Playford 1651
B: Barnes "English Country Dance Tunes" p.19
B: Playford v.2 1651
M: C|
L: 1/8
%Q: 180
H: The tune is reminiscent today of the first phrase of "God rest ye
H: merry, gentlemen", and is a folk tune of widest distribution, the "tune
H: of luck-visit songs, wassails, harvest suppers, may carols and their
H: parodies, 'chestnut' having feminine symbolism.  The second title may
H: be expalined by Deloney's ballad of 1600 on Dove's roguery with the
H: women.  Although it is an awkward fit, repeating the last words of some
H: lines might make it work.
K: Em
|: "Em"E2B2A2G2 | "B7"F3E ^D2B,2 | "Em"E2F2G2G2 | "Am"A2GA "B7"B4 :|
|: "G"B2Bc d2cB | "D7"A2AB c2BA | "G"B2B2 "Em"B2AG | "D7"A3c "G"G4 |
|  "G"B2cB "C"cBAG | "Am"A2BA "B7"BAGF | "Em"G2E2 "Am"E2A2  | "B7"F3G "Em"E4 :|

%%sep 3 1 500


%%sep 5 1 500

X: 3
T: Chestnut (Gm)
T: Doves Figary
O: Playford 1651
B: Barnes "English Country Dance Tunes" p.19
B: Playford v.2 1651
M: C|
L: 1/8
%Q: 180
H: The tune is reminiscent today of the first phrase of "God rest ye
H: merry, gentlemen", and is a folk tune of widest distribution, the "tune
H: of luck-visit songs, wassails, harvest suppers, may carols and their
H: parodies, 'chestnut' having feminine symbolism.  The second title may
H: be expalined by Deloney's ballad of 1600 on Dove's roguery with the
H: women.  Although it is an awkward fit, repeating the last words of some
H: lines might make it work.
K: Gm
|: "Gm"G2d2c2B2 | "D7"A3G ^F2D2 | "Gm"G2A2B2B2 | "Cm"c2Bc "D7"d4 :|
|: "Bb"d2de f2ed | "F7"c2cd e2dc | "Bb"d2d2 "Gm"d2cB | "F7"c3e "Bb"B4 |
|  "Bb"d2ed "Eb"edcB | "Cm"c2dc "D7"dcBA | "Gm"B2G2 "Cm"G2c2  | "D7"A3B "Gm"G4 :|


%%sep 5 1 500

X: 4
T: Chestnut [Am]
T: Doves Figary
O: Playford 1651
B: Barnes "English Country Dance Tunes" p.19
B: Playford v.2 1651
M: C|
L: 1/8
%Q: 180
H: The tune is reminiscent today of the first phrase of "God rest ye
H: merry, gentlemen", and is a folk tune of widest distribution, the "tune
H: of luck-visit songs, wassails, harvest suppers, may carols and their
H: parodies, 'chestnut' having feminine symbolism.  The second title may
H: be expalined by Deloney's ballad of 1600 on Dove's roguery with the
H: women.  Although it is an awkward fit, repeating the last words of some
H: lines might make it work.
K: Am
|: "Am"A2e2d2c2 | "E7"B3A ^G2E2 | "Am"A2B2    c2c2 | "Dm"d2cd "E7"e4 :|
|: "C"e2ef g2fe | "G7"d2de f2ed | "C"e2e2 "Am"e2dc | "G7"d3f   "C"c4  |
|  "C"e2fe "F"fedc | "Dm"d2ed "E7"edcB | "Am"c2A2 "Dm"A2d2  | "E7"B3c "Am"A4 :|